So, you want to learn how to dance Hip Hop! You’ve come to the right place.

*Note: The term Hip Hop is more accurately described in this article: What Is Hip Hop Dance? Though not technically sound, many refer to dance choreography (Read this article: What Is Urban Dance?) as Hip Hop. For the sake of continuity, we will refer to it as Hip Hop Dance in this article. 

You will learn everything you need to learn how to dance Hip Hop, from understanding music to different ways to where to find a Hip Hop dance class in your community.

Ready to learn how to dance Hip Hop? Let’s get moving.

How To Dance Hip Hop Part 1: Musicality

What is dance musicality? Why is it important in learning Hip Hop dance?

Dance musicality is how dancers hear, interpret, and dance to music. It sets the rhythm for our movements and gives sounds to follow choreography to.

 

What is an 8-count?

We use an 8-count to break down the structure of music. It’s¬†sort of like a map to know when you do a certain move.

For example, if a choreographer says that a move executes on “the 5,” you’re going to count into the music:¬†“One, two, three, four, MOVE.

 

Try this:

Listen¬†to a song, any song, and try counting in your head¬†‚Äď “One, two, three, four, five, six, seven, eight.”

Match your counts¬†to the rhythm ‚Äď this is what you’d naturally bob your head to.

Got comfortable with counting your 8-count? Great!

Now,¬†clap¬†on the even counts: “One, clap, three, clap, five, clap, seven, clap

Think of a choir swaying from side to side and clapping their hands while they sing.

dance musicality

This is the start of creating the skeleton for your dance musicality!

 

16 counts: The “And”

You can break down the structure even more ‚Äď let’s divide that 8 count in¬†half.

By inserting an¬†“and” in between each count ‚Äď “One (and), two (and), three (and), four…” You’re splitting up the 8 count into 16ths.

dance musicalityPractice locating those “and” counts by snapping on those.

The tempo of this exercise (the¬†speed at which¬†you’re clapping/snapping) will change according to the tempo of the song.

(*Popular music tempo is usually 120BPM, but changes depending on the song/genre.)

Try these practices out with different songs of different genres.

Count in your head every time you hear a song, so that it becomes second nature to not only pinpoint those 8 counts / 16 counts, but to move to them react to them without having to think about it.

You can go from clapping and snapping, to bobbing your head or bouncing. Whatever way your body reacts to those counts, use that to mark that 8 (or 16!)

 

Challenge yourself:

While you’re doing these clapping/snapping exercises, you may notice that there is a pattern in the noises you hear, according to the beats you’re marking.

Take note of these! There may be a lot of other things going on in the song, but there are usually anchors in the music that you can use to help mark those counts.

For example, a snare on every 4th count, or a bass on every even count.

Wait, what are these sounds??

 

Different musical elements of a song

*We’re not going into every single sound found in the history¬†of music! Just the basics, so as not to overwhelm or overcomplicate.

    • Lyrics
      • The words that the singer is singing to, also referred to as “the melody”
      • The lyrics are probably the easiest to distinguish, but hardest to count / dance to, since vocals don’t always match the strict structure of 8-counts
      • Sometimes, choreographers will¬†make moves that correlate with the lyrics, like miming actions or using certain¬†body parts
    • Bass
      • The bass is the lowest of the standard four voice ranges (bass, tenor, alto, soprano), or, the lowest melodic line in a musical composition, that supports the harmony
      • Different instruments can produce a bass sound (drums, guitar..)
      • Dancers often use the onomatopoeia “boom” to describe a bass drum
    • Snare
      • It’s the sharp, staccato sound you hear, like the sound you make when you snap a rubber band
      • Dancers often¬†describe as snare as “ka!”
    • Hi-Hat
      • A hi-hat is produced by a hi- hat cymbal
      • Dancers often describe this sound as “tss tss
    • Synth
      • A sound synthesizer produces electric signals converted to sound through amps and loudspeakers
      • A common reference to a synth is the synth piano, which may sound like a long, slow bass, “wobba wobba”
    • Strings
      • Guitar strums and melodies are also useful to take note of, for more instrumental / acoustic songs
    • Keyboard/Piano
      • The piano sounds will also accent, or set the melody/harmony of the song.

You’ll discover different combinations of different sounds in layers and layers of any song.

Get used to listening and dissecting music so that you can name which sounds are what.

dance musicality

Try this:

You’ll start to see patterns when you listen to music more carefully.

Maybe there’s a¬†bass¬†drum on each 1st and 5th count, or a snare on every even count.

As you’re clapping or bouncing or whatever you’re doing to mark the beats in the music, take notice of the sound patterns that exist within it.

It’ll cue you in to the concept of dance musicality.

 

What is Hip Hop dance musicality?

Musicality, for dancers, refers to the matching of movement to the rhythm, melody, and mood of the music.

Dance musicality is demonstrated in several ways, depending on the dancer’s style, the song, and how they choose to interpret the music.

Check out these 2 pieces to the same song, that are completely different in both style of dance and musicality choice.

How Many Drinks ‚Äď Pat Cruz & Aggie Loyola

 

How Many Drinks ‚Äď Carlo Darang

Everyone listens to music differently, as you can probably tell from these two pieces.

Choreographers utilize different pictures and textures to portray how they hear the song.

Not sure what textures are? Read this: What Are Textures In Dancing?

Great choreographers have unique ways of moving to music that bring out sounds you might not have heard when you‚Äôre just listening to the song. Now you know what it means when someone says. ‚ÄúUGHHH, their musicality is so sick!‚ÄĚ

By being more familiar with the different sounds that make up a song and their relationship to the flow of it, you’ll have a better understanding of how to execute moves to embody those sounds more closely.

This dance tip is from Scott Forsyth’s class on STEEZY Studio!¬†

 

How To Dance Hip Hop Part 2: Body Awareness

Have you ever taken a yoga class? Then you’ll know that a big objective of yoga is simply to be present ‚Äď in the mind, and the body.

By doing so, you’re bringing together your mental and physical selves.

Similarly, as a dancer, your mind and body must be working together ‚Äď your mind is the part that understands the music and the intent behind the movement, and your body is the actual tool for moving.

Here are ways to train your body to learn to dance Hip Hop.

Try this:

Lay on the floor, and close your eyes. (Turn on some light music here, if you want.)

Go through this list of body parts, and focus your thoughts and feelings on each one.

Flex or move the part to draw more attention to it. Once you feel fully comfortable with where it is and what it feels like, move on to the next one.

  • Arms
    • Shoulder
    • Forearm
    • Wrist
    • Fingers
    • Fingertips
  • Legs
    • Thigh
    • Knees
    • Calves
    • Ankles
    • Feet
    • Toes
  • Hips
    • *Try rotating them in and out
  • Chest
    • Upper chest
    • Core (tummy area)
    • Lower abdomen
  • Neck
    • *Try turning your neck, and also rolling it clock- and counter-clockwise

It sounds almost too easy to be effective ‚Äď but the key here is not the difficulty of the movement (which is obviously very minimal).

The key is how familiar you’re becoming with these body parts, which requires a surprisingly great deal of focus. Muscle memory starts with muscle awareness!

By dedicating your time and energy in getting to know your body, you’re training your most important tool as a dancer!

Body Placements In Dance

Cool, so we’re getting to know what each part of body feels like in a resting position.

Let’s create some pictures to explore how our bodies look and feel in certain placements.

We’ll be using 3 main ideas for these exercises:

  • Focus
  • Posture
  • Angles

Focus

What “focus” refers to in dance is the direction your face is facing. Timed right with a committed facial, your focus has the power to make or break a piece.

Whatever pose you’re holding or pathway you’re moving through, your focus is most commonly straight to the mirror (not the greatest habit, but it’s good to watch yourself at first, when developing body awareness), to the right, to the left, up, down ‚Äď and to varying degrees.

For example, “right 45” can refer to turning your face toward the right, but only halfway from directly ahead and your right side. “Down left 45” signals looking slightly toward the left, with your chin pointed down, so that your eyes are aimed at the bottom corner of the wall.

Focus changes will flow naturally as you learn choreography, but sometimes the choreographer will specify certain pictures and combos to have a certain focus.

This dance tip is from Jeffrey Caluag’s class on STEEZY Studio!¬†

 

Try this:

Stretch your neck to the rhythm of a song, by looking to the

  1. right, left, right left, ‚ÜĒ then switch to
  2. up, down, up, down
  3. then hit the diagonals! ‚§Ę‚§°
  4. then roll your neck around so your eyes are making a big circle ‚§Ņ and switch directions ‚§ĺ

Posture

Posture has a lot to do with the style or mood of the piece.

For example, waacking will call for your chest to be more open, and your focuses will be sharp and purposeful. In a more “ghetto”-feeling piece, your posture might be directed more toward the ground, with a more relaxed torso and shoulders.

Think of posture as relating to body language. A big part of interpersonal communication is based on body language.

Similarly, your posture for a piece will set the tone for each movement in the choreography and consequently, the piece as a whole.

Melvin Timtim explains how he utilizes a “Lil Wayne” posture in his STEEZY Studio class.

Watch it in action here:

 

Pictures

Before getting into full-body movement, let’s study how your body feels hitting certain angles.

When you break down the movements of Hip Hop dance, you will see certain stops, or pictures.

Think of choreography as having points ‚Äď Points A and B in the graphic below are the pictures, and the in-between movement is called the pathway.

pointspathway

 

How To Dance Hip Hop Part 3: Execution of movement

Grooving!!!!

Chances are, you probably already know how to dance.

When you go to a club, or listen to music on the radio, do you bob your head or sway side to side? These are basically grooves ‚Äď which is the¬†foundation for Hip Hop dance and Urban choreography.

Hip Hop Dance grooves were invented way back when, by people dancing at clubs and parties to just vibe out with each other.

how to dance hip hop

Bianca Vallar explains the importance of learning your fundamental Hip Hop moves here:
Bianca
You can practice all the basic Hip Hop dance grooves in her STEEZY Studio Groove program.

Kid Boogie explains how to use the groove to go from “move” to “dance.” Take his class on STEEZY Studio!

Practicing grooves are KEY to not looking awkward when you dance. (But there are more tips here: How To Not Look AWKWARD When You Dance)

There are several elements that factor into how your movement looks. These come more into play when executing Urban Dance choreography:

Hitting using the RIGHT amount of energy

Hitting is the fundamental move of Popping. You can learn more about it here: What Is A Popping Hit

Even if you’re not a Popper, you probably use a similar technique to “hit” certain sounds in choreography. Flexing your muscles creates a visual that matches louder musical elements, like a bass.

When you hit, you don’t want to be too soft and undersell the move, but you don’t want to go TOO full out and overkill it.

The goal is to become/embody music, not to compete with it!

Imagine your energy levels as following the pattern of an audio visualizer. The louder the sound, the higher the level, and the stronger your hit!

execute movement

 

“Milking” a move¬†

This technique is most commonly used to describe movement in in-betweens of pictures ‚Äď the “pathway” between A and B.

Here are a few ways “milking” is used

  • At the end of a move, instead of “putting a period” on it, that is, ending it definitely by stopping the movement, think of it as a “…”
    • The “dot dot dot,” connoting that you’re dragging out that move, to extend its pathway past “B,” what would’ve been the stopping point without the milking.
  • Or, you can milk from one picture into a completely new picture.
    • To practice this, set 2 poses. Every 4 counts, change your position.. but here’s the challenge! Use a different pathway each time, to slowwwly get your body where it needs to be.
  • Think of milking as a change in acceleration (ooh, physics terms!)
    • Really, all moves are some sort of slowing down, speeding up, or stopping. Milking is just the term for gently stepping on your brakes. Where your car goes (the pathway) is up to you.

Speed control 

Learning how to manipulate your speed is going to be a huge factor in shifting dynamics and textures.

To practice speed control, pretend that your arms are hitting a “wall.” But instead of stopping at this wall, that wall is the checkpoint at which you change your speed.

Go from fast and hard hitting, to completely “milking.” This variance in speed will help switch up the mood and “textures” of a piece.

 

Textures

Think of textures the way you think of the physical connotation of the word. Have you ever heard dancers being described as “smooth“?

They probably move like honey.

Visualize the way that a song feels. Is it staccato, with abrupt starts and stops? Is it flowy and silk-like, with lots of vocals? Is it gruff and interrupted, like an angry rap song?

While many songs do embody a specific “texture,” most have elements of several.

And because a lot of songs carry with them hints of different textures, the variation in your hits, milks, and speed, are all going to contribute to how you match the music.

 

How To Dance Hip Hop Part 4: Class and Training

OKAY OKAY, enough talking about how to dance hip hop ‚Ästlet’s start practicing it already!

One of the best ways to practice a skill is to… take a class!

Looking for a Hip Hop dance class in your area

If you don’t have a dancer friend who can introduce you to different dance classes, it’s okay! That’s what the internet is for.

Do a¬†Google or Yelp search using key words¬†like “Dance classes in ____” or “Dance studios in _____”¬†or “Hip Hop classes in _____”¬†or¬†“How to dance Hip Hop in _____”

Do you live in LA? Train here: The Dance Studios In LA You Need To Be Training At

Once you have a good list of nearby dance studios, go on their websites to see what kind of class offerings they have.

If they do not have a website, then call the studio and ask for their schedule.¬†This way, you can ask more questions¬†while you’re on the phone, too.

Instagram is is a great tool for finding dance studios and dance classes, too!

If you keep noticing flyers or class videos (either in your personal feed, or through¬†Instagram’s “Explore” page), and click on the location link, you can see where the studio is located.

Better yet, if the studio itself has an account, you can stalk their class schedules and instructors to find out more. Finally, lurking skills from stalking your crush is coming in handy!

If you like the instructors / classes offered, or the vibe of the studio, add that into your list of prospective places to take class at.

 

Which Hip Hop dance class should you take?

Once you’ve secured the place¬†where you’ll be taking your dance class, you need to decide which class to take.

You want to make sure you feel comfortable diving into your first dance class, and that it will benefit you, rather than leave you feeling defeated.

A “Beginner” level dance class is probably the best to start with.

Even if you’re not a beginner dancer, read Why Every Dancer Should Take A Beginner Dance Class

 

How to prepare to take a Hip Hop dance class

Once you’ve decided on your dance class (where / when / which one), it’s time to get ready.

Choose an outfit that is loose and comfortable, but one that you still feel confident in. By no means do you have to follow the latest trends in “dancer fashion.”

It’s about¬†YOU and what makes YOU feel cool.

Once you get to the studio, you’re going to register at the front desk, pay for your “Drop-In” class, and wait for the room¬†to be ready. There’s usually back to back classes at studios, so another class will be exiting¬†as you’re waiting to enter.

When you get inside, put your stuff down and wait for the choreographer. Until then, you can just hang out, start stretching, or talk to other dancers in the class.

You’ll probably start to feel nervous right about now. Remember:¬†It’s all about your mindset!

Take a deep breath and remind yourself that a class is called a¬†class for a reason: you’re there to¬†learn!

So instead of being intimidated by the idea of trying something new, get excited to start learning.

 

What to know when you take a Hip Hop dance class

The choreographer will start (most likely) by introducing themselves, and leading a quick stretch.

Aside from the actual learning process (which we’ll talk about in the next section), there are a few “class etiquette” notes to keep in mind:

Ask questions

If you’re struggling with a move, it’s perfectly *fine (encouraged!) for you to ask questions.

*However, don’t do this in excess! Try and figure out the answer yourself first (by looking closer at the move, trying it out in different ways for yourself), and if you still¬†need clarification, ask.

Switching lines

When the choreographer says to “switch lines” ‚Äď if you’re in the front of the room, move to the back, and vice versa.

This is to ensure that everyone gets a fair chance at having a good view of the choreographer throughout the class. It’d be a little selfish to hog the mirror the whole time, right?

Switching inside / out

In addition to switching lines, the choreographer might also ask the class to switch “inside out” /¬†“outside in.” And yep ¬†‚Äď it’s exactly as it sounds. If you’re toward the middle of the room, move closer to the walls, and vice versa.

In general, it’s good to move around the room while you take class, regardless o whether the choreographer is telling you to¬†or not. It helps you to not grow dependent on your position¬†to learn or execute.

Sitting down

There are a few cases where you’ll have to take a seat during the class.

1. When the choreographer is demonstrating the moves they taught and you’re in the front of the room.

We do this so that, when the choreographer first matches the moves to the music, everyone can see what the choreography is supposed to look like.

2. If the studio is too crowded, and the choreographer needs to demonstrate the choreography for the “back half” to see.

It’s easy to follow the choreographer¬†if you can actually¬†see what they’re doing, but often the people in the back of the room have blocked or limited vision. (Especially when it comes to intricate details or footwork). We have the front half of the room sit down while the choreographer can teach the back half of the room, then have the whole class join in once everyone “gets” it.

 

What the choreographer means…

When they say to “Watch”

This is when it’s¬†polite for the people in the front of the class to take a knee/seat.

Even if you know the moves, really WATCH the choreographer demonstrate the piece.

While you watch, take note of where the piece counts in, the true tempo of how fast the song goes, and how the choreographer is hitting each move.

The closer you pay attention, the closer you’ll know what to emulate.

When they tell you to “Mark it”

Marking means that you are doing the piece more in your head than on your body ‚Äď but you should still be doing it with your body.

Think of it as doing the piece, but with less energy. Be more conscious of the music, timing, and where your body placements are rather than releasing your bankai.

The choreographer might use percentages to indicate how much energy you should be putting into your mark.

Example: “Let’s go just 50% for this first run-through!” or “Mark it around 80%”

When they tell you to¬†“Go full out”

All right, THIS is when you go 100% with your energy.

Think of it as the most you can do for everything: cleanliness, timing (that you should’ve perfected in your mark), but now with power!

Read this for tips: How To Dance Bigger, Stronger, And More “Full Out”

 

How to learn when you take a Hip Hop dance class

Learning choreography

Take note of pictures, angles, footwork, focus, etc.

Scared that you’ll fall behind? Use these tips for How To Keep Up In Dance Class

Choreographer’s execution

WATCH them demonstrate for the class!

Take note of texture, dynamics, milking, everything from their demeanor and posture to their facials and energy levels.

Listening to the music

A huge huge huge huge huge part of being able to get a piece is knowing the music.

Know what sounds you’re hitting, when those sounds come in the music, the tempo, mood, and style of the song.

Practice performance

If you’re satisfied with starting out learning just the choreography, that’s fine!

But if you feel comfortable with the piece, try and add a little pizzazz to it! Your freestyle, your facials, your personal swag.

 

After you take a Hip Hop dance class

A class experience is not limited to just learning choreography.

After all the moves are taught, there will be a few things the choreographer has you do.

Groups

This is when the room is divided into sections, and that group will perform the piece as the other students watch.

Groups can get intimidating! But it’s also an integral part to your growth. Push yourself outside of your comfort zone and just go for it!

Select group

The choreographer may or may not call out a “select group” ‚Äď a group of students that they noticed and want the rest of the class to watch. The selected dancers may have been really clean, not so clean but performed the crap out of it, had a lot of personal style, or were just fun to watch. There are so many reasons you can get chosen or not for a select group, so don’t overthink it!

If the choreographer calls out a “any 10 people” or “any 5 people” to be in a group, and you feel comfortable with the piece, you should volunteer¬†to go up!

Recording class footage

Don’t be surprised if someone (either the studio staff, another student, or a parent) is recording you dance.

The studio sometimes does this to promote their classes, and students/parents often do this for personal keeping or to post on social media.. (let’s be real)

And if YOU want to record yourself, ALWAYS ask the choreographer first if that’s okay. If they say no, don’t. Clear it with the studio staff, too.

Then ask someone to record you so you can critique (or appreciate) how you did. Or post it on Instagram. Live your life.

Choreographer’s solo

At the very end of the class, the choreographer will most likely perform the piece.

Honestly, the best thing to do here is just watch so put your phone down, and just watch!

Saying thank you to the choreographer

Once you pick your jaw up from the dance floor, make sure to line up to thank the choreographer. They just shared their craft with you, hopefully in a way that helped you become a better dancer in some way, so it’s important to show your appreciation.

You can introduce yourself, say thank you, take a picture if you want. You can ask for critiques or tips, but if there is a long line of people behind you, the more polite thing to do is to keep it short and sweet.

In addition, ask the choreographer for the song title andartist so you can keep practicing the piece at home!

 

How To Dance Hip Hop Part 5: Setting Future Goals

So, you’ve made your first leaps into learning how to dance hip hop. Congrats! Welcome!! Yayyyyyy!!!

Now, where do you go from here?

Since different dancers dance for different reasons, let’s talk about 4 different goals you can set for yourself and tips to help you reach them.

 

Hip hop dance goal #1: Train in different styles of hip hop dance

How did your first class go? Was it challenging? Scary? Too easy? Just hard enough?

Although your first dance class is quite a hallmark in your dance journey, but it’s only one of many to come.

If versatility is your goal, keep exploring different classes at different studios.

Don’t just take the same beginner class from the same choreographer week after week.

Make a list of specific styles or choreographers you want to train under. Schedule out when and where you can take those classes, and strategize a way to get the most variety as possible.

After a while, you’ll be able to identify what you need extra help in. And you’ll have a better sense of your own “style,” based on the types of pieces you tend to enjoy most.

 

Hip hop dance goal #2: Level up! Learn advanced choreography

If your goal is to be able to keep up with advanced choreography, then set a hard date for the class you want to be able to take in a few months.

Til then, seek out classes that are more and more challenging as time goes on. From beginning classes, intermediate, to more advanced.

And after you take it, don’t stop there! Keep challenging yourself with advanced classes ‚Äď while you continue to train as a beginner.

It’ll push your choreo pickup and execution, while strengthening your foundation.

How To Get The Most Out Of Dance Class (Video)

 

Hip hop dance goal #3: Get involved in the hip hop dance community

It’s nice to have a tribe of support for something that started as a personal journey.

So if you want to get to know your fellow dancers ‚Äď take initiative!

Introduce yourself to the familiar faces you see in class. Definitely introduce yourself to the studio staff. Be vocal in classes, and ask other dancers where they’re from / where they’re going.

Not only that, attend dance shows, competitions, battles, and even team fundraisers. These events spur a lot of conversations, and give you a better vibe (aye) for what the culture is all about.

STEEZY Studio members connect with each other through our Facebook group ‚Äď where we share videos, ask for tips, give critiques, and even arrange meet-ups!

See related articles:

How To Thrive In A New Dance Community

How To Build A Network In The Dance Community

 

Hip hop dance goal #4: Audition for a hip hop dance team

Lots of us start dancing after watching a team perform. Whether it was on YouTube, or in person, these sets stirred something in us that pushed us to try it out.

Consequently, a lot of dancers’ goals are to perform with a team, on a stage, at a show or competition.

If making it on to a team is your goal ‚Äď and even if it isn’t! ‚Äď then auditioning is a great experience that can teach you a lot of things.

It’s going to call on you to pick up choreo quickly, in a crowded room, surrounded by other hungry dancers.

You’ll have to perform for a panel of judges, and maybe even freestyle.

The pressure might get nerve-wracking, but that’s exactly why that experience is so valuable.

Auditioning for a hip hop dance team will really test where you are as a dancer, in addition to being another great opportunity to train and meet people.

Look into the dance teams in your area. Ask about auditions or private / mid year auditions if you missed the start of the season.

Even if you don’t end up joining right away, it’s great for the psyche to have a clear goal to aspire to.

See related articles:

How To Make Your Dream Dance Team

 

We hope this helped you newer dancers learn how to dance hip hop! Welcome, and we can’t wait to share this journey with you!

This post was originally published on May 16, 2016.