They’re not the typical “boom”s and “ka”s dancers have been known to hit, but pieces to vocals have become extremely popular. When choreographed and executed with intent and commitment, they have the potential to trigger a lot of emotion in any viewer.
But they do come with their own set of challenges. Not only do ballads or vocal-heavy songs call on a deeper feeling, dancing to a voice means that you have to match your body to something 100% unique and original.
Commit To Your Performance – With Your Face, Body, And Heart
You can hit every angle and picture perfectly, but a clean performance that’s absent of emotion will never compare to a slightly messy one that someone fully committed to. You have to sell the entire mood of the song through your performance.
“No matter how well you do the piece, if you don’t embody it, it won’t read.”
Translating that feeling and keeping your moves clean goes into your timing. It’s likely that, following the changing textures of a singer’s voice, your body is going to have to switch up textures as well. So to really highlight those contrasts, frmo being really subtle then hard hitting, you have to be confident in how well you know your music.
Listen, and study how and why each movement is placed to that part of the song. When you know what’s going on musically, and your moves show that, you can focus more on infusing your feeling into those moves without looking messy.
Timing Is Everything: Sit In The “Pocket” Of The Music
A big part of improving your musicality in dance, is simply having really impeccable timing.
Don’t let there be “blank spaces” between your moves.
Which means, if your hand is moving from your chest to your shoulder, your hand should me riding that pathway until it reaches the shoulder, not awkwardly waiting there, ahead of when that sound arrives later.
“Moving through from Point A to Point B until getting to Point B. Stretch out the pocket.”
Extend your A to B’s. Your speed into the next movement should accelerate according to the music. Again, knowing the song well will help in how you start and stop at the exact right times, and how much energy you’re doling out in between.
Dynamics in your movement can be analogous to dynamics in a person’s voice. Are they speaking quickly and sharply, or being slow and soft? Enunciating or slurring? Are they loud and powerful or whispering?
The way to match your body to those vocal dynamics is to manipulate your textures.
“Do this by using or relax certain muscles in different areas at different times. Tense when you initiate moves/ sounds, and relax out of it to fade.”
As a former (and current) freestyle head, he first explored dance through popping, tutting, and C-walking. Originally from Stockton, CA, he religiously watched his dance idols through YouTube- Shaun Evaristo, the Companies, and Cookies, in particular. These artists and teams inspired him to start choreographing more, around the same time he moved to Los Angeles in 2012.
As Markus started taking more class, he got a taste of the community, but was really exposed to it through joining ACA Hip Hop and GRV. Both teams, besides giving him a home and a family, pushed him as a dancer.
Taking on a leadership position in ACA gave him a creative outlet and widened his mental understanding of dance. Adapting to the styles of GRV helped him to expand his movement and execution. As his handle on directorship and vocabulary of movement grew, so did his opportunities as a traveling choreographer. He has visited and taught several cities, states, and even countries, and is now focusing on delivering his best as a local instructor, while staying firmly dedicated to GRV.